Saturday, February 27, 2010

How Shall I Greet this Day? 1






How Shall I Greet this Day? 1

-There are ghosts!
-Enough of your piseog-babble!
Schwantz wheezed out the words and his flabby lips gave a slight but gently cultured burp to signify that his attitude to any debate today would be reasonable and relaxed and above all well-informed. This was unlike him, but he was not yet drunk. He is a dirty fellow at heart. But I took him up on the challenge.

Even though often unhealthily pre-occupied with Attracta McCabe’s haunches, Schwantz’s conversation is generally more stimulating than that of the two donkeys, Neddy and Paddy, who live as squatters rent free in my barn. However his talk never approaches the single-minded purity of their aspiration. They are both after all holy animals and bear that cross on their backs with dogged fortitude. It is only the horrible grin when they bray that gives away their true feelings of despair. They smile then like nuns at a christening, knowing that fruitfulness will never be their lot. Schwantz’s grin is as horrible as the donkeys’ but he never gives anything away. He is as fruitful of lies as a cabbage is fruitful of caterpillars.

-You are wrong, Schwantz, I said. There is no doubt about it. I have known them personally and there is no going back on personal experience. Ghosts or spirits or gods, call them what you will. Out there, beyond the bóithrín, they rise out of the plantations like mist. I sensed them on my walk today as they fell in beside me. They are true thesaural beings, knife wielding wordsmiths with corkscrew tongues and odd vocabulary. They will help me hew a poem out of this shapeless and stony mass of language I have inherited.

From caverns measureless to man deep in the sunless sea of his unshaven face Schwantz turned his eyes upon me. In the scrap of pale sunlight my cottage window had salvaged from an unfriendly February sky his face looked brown-grey, like a winter gorse bush that has suddenly decided to tell its story before it is too late and the spring burn is upon it.

-Hew, he said, hew indeed! Are you a hewer of words, my son? Surely to say snip should be enough for an ordinary mortal. It is a pity the man would try to inflate himself to such monumental proportions, so that he is able to hew words from the base rock of language and call himself a poet. You are a legless hunchback when it comes to scribbling. Scribble away then! You scribble-scrabbler!

In front of our chairs the turf fire smoked and glowed and on the stool which served as a mini-bar a bottle flickered orange in the reflection: Wódka Żołądkowa Gorska. It was my offering to his visit now that I was home again from the icy civilisation of Poznań, where the Polish climate calls for frequent doses of this internal combustion additive, and poets, to ward off frostbite, are required by law to wear mittens when composing. I had hoped to domesticate the habit here on the Bog (I mean the habit of imbibing vodka), but on my return, discovering myself to be a little abused by gallivanting, I had visited a doctor’s surgery and found myself terrorised into abstinence at once by a beetling room of bug-eyed medics.

The fist of Schwantz closed suddenly around his shot glass and jerked it towards his mouth. I saw a brown-grey chameleon with a two foot tongue swallowing a beetle. There was a click and a slurp followed by a short glutinous cough.
-To the hewer of words, he mumbled.
-A poor sculptor lost in a quarry, and all about him ghosts, like marble statues come to life.

I was not to be put off. I went on:
-That is what I observed, Schwantz. Crossing the bog, among the frost spikes and the skeletons of orchids The cold of ice in my entrails. It reminded me of my time in Poland. I need to speak about it. And honour it properly.

Monday, November 9, 2009

Today is my Sixty-Ninth Birthday

Also my First Day as a Sculptor.
I offer my first work as a birthday greeting to myself.
Only Sixty-Nine yet. Three Score and Ten is far beyond the foaming shore seen here in the distant background.

Monday, November 2, 2009

Oíche na Scuaibeanna Fada 2


Wurra Wurra: The Night of the Long Brooms (Part Two)
(translated from the Irish of Micheál MacSolamh “Oíche na Scuaibeanna Fada”)

In the press there are days folded like clean linen
waiting for the dirt.
Inside the closet
a clock keeps ticking
and they say it is only a matter of time.

Broomsticks I saw first.
Glowing like iron rods under a blacksmith’s bellows,
red as the geraniums in my window alcove
they moved towards me out of the darkness.

And then three women, naked and wild as the storm driven wind in the chimney’s breast stepping in on this Night of the Dead and of all the Holy Saints stealthily, rag-haired, broom-clad, besom-handed, bucket swinging, brush proud. From the black shadows they drove the ciarógs and the clocks and the millipedes and the wood lice and the silverfish and the daddy long-legs and the black spiders, herding them silently out of this sad and dusty bachelor gaff and off its surface of unswept regret. For this is the echoless hole of entropy that a connubial extraction leaves behind. Since our separation it has been mine.

Broomsticks I saw first.
Glowing like iron rods under a blacksmith’s bellows,
red as the geraniums in my window alcove
they moved towards me out of the darkness.
In the press there are days folded like clean linen waiting for the dirt.
In the closet
a clock keeps ticking.
and they say it is only a matter of time.





Works in Progress 3



Wurra Wurra: The Night of the Long Brooms (Part One)
© Mike Absalom 1 November 2009
(translated from the Irish of Micheál MacSolamh “Oíche na Scuaibeanna Fada”)

Broomsticks I saw first.
Glowing like iron rods under a blacksmith’s bellows,
red as the geraniums in my window alcove
they moved towards me out of the darkness
.

I am not yet three score and ten years of age. In spite of my piercing gaze which has the diamantine glitter of a snake’s eye, and despite the silver halo wreathing my skull in eleventh hour blossom like a thorn bush that doesn’t give a tinker’s curse it has missed spring, but extrudes flowers like sausages willy-nilly all over the place whatever the damn season, I am not yet three score and ten years of age.

The skin of my skull is wrinkled with savage furrows that make me look as wise in ejaculation as a puffball on a lawn trampled by children.
I am not wise at all, but that is neither here nor there.
I am not yet three score and ten years of age either.
Broomsticks I saw first.
Glowing like iron rods under a blacksmith’s bellows,
red as the geraniums in my window alcove
they moved towards me out of the darkness.

The Old Testament says three score and ten is my sell-by date.
But I am not there yet and so we have no earthly reason to speak of Testaments. Or panic.
Broomsticks I saw first
Glowing like iron rods under a blacksmith’s bellows,
red as the geraniums in my window alcove
they moved towards me out of the darkness
.
I will not deny though that a birthday is upon me soon,
but it is merely the three score and ninth.
As numbers go I have no problem with this one. It is depressing, but only vaguely so, like the idea of caterpillars visiting my library or an invitation to play a round of golf in
winter.
I would not call the number 69 an apocalyptic statement.
Broomsticks I saw first.
Glowing like iron rods under a blacksmith’s bellows,
red as the geraniums in my window alcove
they moved towards me out of the darkness.
















Saturday, October 31, 2009

The Booty of Poetry




The Booty of Poetry

The booty of poetry
for him
was always girls.

Laurels were secondary.
He enjoyed the taste of words. He enjoyed mouthing them.
He enjoyed the intimate touch that came with their transmission.
When the coffee break arrived
the sweet taste of enticement was still in his mouth,
like the sugar around a donut.
There was no stopping it.

The booty of poetry
for him
was always girls.

It worked of course.
That was the beauty of it.

Dead Instruments and the Scent of Flowers

A blind man jumped over a cliff towards the scent of flowers.
Is this retirement?

Only half blind
I felt the weaker pull.
I put up my fiddle
and pushed my harp into a corner.
It looks good there.
Its polished black walnut skin
displays my dust collection to a T.

I am often woken in the night
as yet another string snaps angrily in its sad redundancy
and gives up the ghost with a crack.
Gutless harp.

Although not quite.

During the day if I pass by absentmindedly close
the viper teeth of string ends nip playfully at my flesh
hoping I will catch tetanus.

Like the blind man I jumped over a cliff.

As I fall
the scent of flowers is not getting any stronger.

The Whitby Dracula 1977 (Halloween Nostalgia)




Dracula Whitbyiensis (The Whitby Dracula)

By the light
Of the silvery moon
I importune
Pretty maidens, who swoon at what I'm doin'.
Then off I zoom
to my room with a tomb.
Just popped out for a bite.
Did I give you a fright?
I'll be back again soon,
By the light of the moon.

By the light
Of the silvery stars
Outside the graveyard I pause
With someone's throat in my jaws.
(Oh! Let my dentures dent yours!)
Singing this refrain
In a jocular vein:
A drop or two of you will see me through;
Can you lend me a spoon?
By the light of the moon.


In my cloak and hat
With my little pet bat
What an aristocrat!
Who can guess what I'm at?
(Assault and battery that's what! )
As I flit
Across the moon I'm well lit:
I had a little haemorrhage
I've been keeping in the fridge!
I'm going to croon
By the light of the moon.

c. Mike Absalom 1977